LaborArts.org has images to expand your experience of our films

Thanks to the wonderful folks at LaborArts.org, the labor movement's vitally important online repository of images from all eras of labor and worker history, Workers Unite Film Festival is able to offer our viewers the ability to dig deeper. We invite you to explore one of our festival's main themes – Civil Rights – through some remarkable historic images in the online exhibits featured below. We are developing our partnership with LaborArts toward a real searchable resource for filmmakers, students, educators, workers and labor union organizers, not to mention anybody else who is interested in finding out more about these incredible, under-reported historical events.

Many thanks to Evelyn Jones Rich and Rachel Bernstein, co-founders and directors of LaborArts and its online museum, and huge thanks to Donald and Shelley Rubin and The Rubin Foundation, for their ongoing support and guidance to both LaborArts and our own Workers Unite Film Festival.

A sampling of materials from the Congress ofRacial Equality (CORE), part of Marvin Rich’scollection from his time as a civil rights activist.Learn more — A sampling of materials from the Congress of
Racial Equality (CORE), part of Marvin Rich’s
collection from his time as a civil rights activist.
**Learn more**

Acclaimed singer and civil rights leader PaulRobeson spent a lifetime fighting racialdiscrimination, and he developed a deepconnection to the National Maritime Union’sfight to integrate America’s ships. Listen torecordings of some of his songs, and … — Acclaimed singer and civil rights leader Paul
Robeson spent a lifetime fighting racial
discrimination, and he developed a deep
connection to the National Maritime Union’s
fight to integrate America’s ships. Listen to
recordings of some of his songs, and a story
about his experiences aboard one ship.
**Learn More**

Artwork played a key role in the magazineW.E.B. Du Bois founded in 1910. Unlike images ofAfrican Americans in other magazines, thevisuals published here were generated froma black perspective – tied to political andsocial issues of the day, yet refl… — Artwork played a key role in the magazine
W.E.B. Du Bois founded in 1910. Unlike images of
African Americans in other magazines, the
visuals published here were generated from
a black perspective – tied to political and
social issues of the day, yet reflecting Du
Bois’ attempt to help build a collective
memory for black people beyond that shaped
by the white-dominated culture they lived
within. **Learn More**

Featuring art by Marshall Arisman,Nina Talbot, Audrey Flack, andothers. Learn More — Featuring art by Marshall Arisman,
Nina Talbot, Audrey Flack, and
others. **Learn More**

Workers Unite Film Festival

The Workers Unite Film Festival is a ten day long celebration in NYC of films from around the world about worker's lives and their struggles for dignity and labor rights. The festival is held the second week in May each year at the historic Cinema Village, just South of Union Square in Manhattan. New locations are added each season.

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The 10th Workers Unite Film Festival is made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts w… — The 11th Workers Unite Film Festival WAs made possible in part with public funds from Creative Engagement, supported by the New York City Department of Cultural Affairs in partnership with the City Council and the New York State Council on the Arts with the support of Governor Kathy Hochul and administered by LMCC.

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Copyright 2022, Workers Unite Film Festival, Inc. All rights reserved. Workers Unite Film Festival,Inc. is a 501(c)(3) tax exempt organization. Donations made to Workers Unite Film Festival, Inc. are tax deductible to the full extent of the law. Your accountant can advise you on the specifics.

The Workers Unite Film Festival respectfully requests all filmmakers to make their best efforts to use union or guild labor on their films wherever possible and to contact their local performance unions to make arrangements for reduced scale, not-for-profit, or low budget productions whenever this can be done. Stay union, Stay Strong!

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